Come Study with me at the Mount Royal Conservatory!

Hey! I am now officially part of the percussion faculty at the Mount Royal University Conservatory in Calgary, Alberta and currently accepting drum set students of all ages and levels of experience. 

Contact the Conservatory or myself directly and let's get to work!

https://www.mtroyal.ca/ProgramsCourses/FacultiesSchoolsCentres/TheConservatory/

Jason Tiemann on Drums

Jason Tiemann is a killing New York City based jazz drummer and he's been compiling and sharing these excellent instructional videos on his YouTube page.

These are all very useful concepts and patterns to work through. What I really appreciate is that, in addition to being well explained and articulated, these come straight from the source and they are demonstrated by a great drummer who is the real deal, someone who's done his homework and regulary plays with a great informed sound, feel and a deep sense of swing with many of the world's greatest jazz musicians.

Check these out.

Max Roach Norway 1977

I'm still on cloud 9 these days, following my Max Roach tribute concert a few weekends ago at Congress Coffee. Thanks to everyone who came out.

Studying and researching the music for this epic gig lead me to this incredible Max Roach concert recorded in Norway circa. 1977 featuring Cecil Bridgewater (trpt), Billy Harper (tenor saxophone) and Reggie Workman (bass).

In particular, check out the free-wheeling 20 minute version of "It's Time!":

I would also like to draw your attention to a portion of the interview at the very end of this footage. 

Specifically, listen to Roach's very eloquent, articulate and inspiring answer that he gives to the interviewer when asked to describe "the history of Jazz music":

As Sonny Rollins said so profoundly in the recent Max Roach documentary The Drum Also Waltzes, "Max was Heaven" and I think these videos illustrate this perfectly.

Jazz Drumming Workshop + Trio Performance

Jazz Drumming Workshop and Performance

Saturday, November 2nd

Cornerstone Music Cafe
14919 Deer Ridge Drive SE

Jazz Drumming Workshop   3pm   $25

Trio Performance   6pm   $30

featuring:

Jon McCaslin - Drums
Aaron Shorr - Guitar
Jeff Gammon - Bass

*Attend both events for $45*

www.cornerstonemusic.ca

Art Blakey 1974

Thanks to the Jazz Estate for sharing this rocking footage of Art Blakey, performing with Benny Golson in France circa. 1974:

 

(for some reason the camera footage is sometimes reversed so it looks like Bu is a southpaw, but that's obviously not the case!)

And from 1985 here's a brief portion of a conversation between Ben Sidran and Art Blakey:

The Monday Morning Paradiddle - October 2024

Thanks for stopping by today and here's the October 2024 edition of the The Monday Morning Paradiddle, your one-stop on-line jazz drumming variety column.

But first, just a couple of brief advertisements:

I am reluctant to advertise these on Facebook these days due to all the ridiculous fake profile t-shirt scams going around (!) but rest assured that these are indeed legit and I still have a handful of the classic black Four on the Floor black t-shirts left in stock if anyone is interested.

But once they are gone, they are GONE and it will very likely be a very long time before I have any more printed (if at all...) so don't miss out and get yours today!

These shirts are still available in small, medium, large and xxl sizes (sorry folks, all the xl sizes are gone!) and are lightweight premium fitted 100% cotton tees. I am also told that they are very comfortable : )

The shirts are $30 each (+shipping)

If you are interested in purchasing one, please drop me a line at fouronthefloorblog@gmail.com or reach me through social media and I'll set you up asap.

It's Time! 

Hey, if you happen to find yourself in Calgary, Alberta this coming week, don't miss my upcoming tribute to Max Roach happening on Saturday, October 12th at Congress Coffee www.congresscoffeeyyc.com

I will be performing a mix of solo drum set repertoire made famous by Max Roach. I'll also be performing several of Max's iconic compositions and music associated with him from over the course of his career with Chris Tauchner on keyboards and the percussive force that is Raul Tabera on percussion.

I'm really looking forward to this one and make sure to reserve your seat in advance as seating is limited.

The Monday Morning Paradiddle - October 2024

1. Fantastic columns and commentary from Vinnie Sperrazza's Substack Chronicles including:

Kenny Clarke and Miles Davis

The Big Tent: Richard Davis and Roy Haynes

and

Back to School - on rudiments, George Lawrence Stone and Charles Wilcoxon

2.  A Sunday interview with Berlin's Michael Griener from The Free Jazz Collective

3. Max Roach teaches The Count a thing or two about counting on Sesame Street:

 

4. And (if you need more than one...) here's Ten Reasons to Love Max Roach from the Drum Candy podcast:

 

5. Adam Nussbaum featured on The Hang podcast with, as always, many words of wisdom:

 

6. Billy Drummond and Adam Nussbaum featured on Drummer Nation:

 

7. Peter Erskine interviewed for the Jazziz magazine podcast:

 

....and some fantastic creative duets recorded with Kim Richmond:

 

8. Carl Allen with Christian McBride's band Inside Straight from the Detroit Jazz Festival:

 

9. Allison Miller plays on Thelonious Monk's "Green Chimneys" at the Women Who Drum festival:

 

10. A pair of great bebop drumming lessons from Jason Tiemann:

 

11. The inimitable Trilok Gurtu with a brilliant opening solo:

 

12. Jerome Jennings and the Lichtfield Jazz Camp present The History of Essential Jazz Drum Grooves:

 

...and Max Roach at 100: Listening Session with Jerome Jennings:

 

13. Quincy Davis continues with more instalments of his always informative Q-Tips series on YouTube:

"LET'S GOOOOOO!!!"

14. John Daversa interviews Ari Hoenig:

15. Brilliant brush work from Joe Farnsworth:

 

16. Christian McBride interviews Louis Hayes:

17. Classic Joe Morello with Dave Brubeck on "Blues for Joe":

18. Some more inspiring Max Roach from a concert in Norway circa. 1987:

 

19. What am I listening to these days?'

Pheeroan Aklaff "Drumset Variations" - Pheeroan Aklaff (drums)

Don Cherry "El Corazon" - Ed Blackwell (drums)

Max Roach "Drums Unlimited" - Max Roach (drums)

Chick Corea Trio "Trilogy" - Brian Blade (drums)

Milford Graves "Grand Unification" - Milford Graves (drums)

Neil Swainson "49th Parallel" - Jerry Fuller (drums)

Jim Hall "Live!" - Terry Clarke (drums)

Oscar Peterson "Night Train" - Ed Thigpen (drums)

20. And today's Final Word goes to Rick Rubin via Rick Beato:

(take the time to watch this...)

Johnathan Blake!

Johnathan Blake has been a busy guy these days (which is no surprise, of course, because he's such a fantastic musician!) and here's just a few examples of the wonderful music he's been making lately including recent gigs with:

Terell Stafford

 

Chris Potter, Brad Mehldau and John Patitucci

 

a new trio recording with pianist Kris Davis and Robert Hurst

and Blake's own group featuring Donny McCaslin and Scott Colley

More Billy Drummond!

My previous post that I shared featuring Ken Micallef's insightful conversation with Billy Drummond was really well received after I posted it earlier this month. Thank you Ken and Billy for dropping all this wonderful knowledge and to the rest of you out there for all your feedback and enthusiasm. How lucky are we to have access to Billy's extensive knowledge of music shared with us like this? Well, you can never get enough of a good thing in my opinion when it comes to good music and lucky for us, Ken Micallef has uploaded yet another two fantastic instalments of his conversation with Billy Drummond.

 

All in favour of Billy Drummond hosting a regular podcast like this, please raise your hand...

In any event, and as always, when the Masters speak, we listen.

Dave Holland on Time Meters

 

As drummers, "rhythm is our business" but it's certainly not an exclusive club! 

Thanks to the people at SF Jazz here's a fantastic piece in which bassist Dave Holland shares his concepts dealing with time meters and rhythmic structures:

It's Time! a sonic tribute to Max Roach

 

It's Time!

a sonic tribute to MAX ROACH

featuring Jon McCaslin solo drums
and duets with Chris Tauchner keyboards
with special guest Raul Tabera percussion

Saturday, October 12th, 2024

8pm

Tickets $15

Congress Coffee
215 - 36th Avenue NE

Calgary, AB

www.congresscoffeeyyc.com

-----------------------------------

I am really excited to finally present this project next month in my hometown of Calgary, Alberta. This year represents the 100th anniversary of Max Roach's birth and since he's one of my biggest influences and a major reason why I even play the drums, it seemed fitting that I perform something to honour his legacy.

For this upcoming performance in October I'll be playing half of the concert solo and the other joined by the creative force that is Chris Tauchner on keyboards. My good friend, Cuban percussionist and heavyweight rhythmatist Raul Tabera will also join us a for a few numbers.

The solo repertoire I'll be performing will be my interpretation and a mix of Max's iconic solo pieces (including The Drum Waltzes, Conversation and Drums Unlimited, among others) as well as some of my own Max Roach-inspired solo drum pieces that I've been developing and exploring over the last few years.

The concept of performing solo drums is one that has intrigued and challenged me for a number of years. Last year I performed solo for a project with a solo contemporary dancer and this upcoming gig is the next step towards even more of this kind of thing. In addition to Max Roach I've also checked out and been inspired by solo works from the likes of Andrew Cyrille, Milford Graves, Gerry Hemingway, Beaver Harris, Pheeroan Aklaff, Ted Poor, Fransisco Mela, Billy Martin, Antonio Sanchez, Matt Wilson, Mark Guiliana and many more. So there's lots of material to work from and the sky is the limit. I'm hoping to record this music and further perform it in the future as well.

My duets with Chris Tauchner are somewhat inspired by the many iconic duets that Roach performed over the course of his lengthy career with artists such as Cecil Taylor, Abdullah Ibrahim, Randy Weston, Mal Waldron, Archie Shepp, Anthony Braxton, Clark Terry and, of course, Dizzy Gillespie (a personal favourite of mine...)

The repertoire we are going to play will be drawn from different points in Max's career as a composer and from artists that he collaborated with (of which there were many!). We'll also play a few of my originals that definitely feature the drums in the spirit of Max Roach (hopefully he would have dug them...)

Anyways, I'm really looking forward to this gig and hope you can check this out if you find yourself in Calgary in October.

Indeed, it's time!

Billy Drummond Talks Jazz Vinyl

Thanks to Ken Micallef for sharing this wonderful piece featuring Billy Drummond and his favourite jazz vinyl picks: 

As always, when the Masters speak...we listen!

Colleen Clark: Evolution of the Ride Pattern

And...we're back.

I hope you all had wonderful Summer holiday and now that September is upon us it's time to get back to work and back on saddle over here at Four on the Floor.

Today's blog post features some wonderful work from Dr. Colleen Clark and the Avedis Zildjian Company featuring Clarke's research of the evolution of the ride cymbal pattern.

https://ae.zildjian.com/education/the-evolution-of-the-ride-pattern-with-colleen-clark/

There is a ton of great and well researched information here and I encourage you all to check this out:

In this lesson series, Zildjian artist Colleen Clark provides a historiographical and musical analysis examining the jazz ride cymbal pattern, from its inception on woodblock, small accessory cymbals, hand cymbal mechanisms and brushes through what becomes known as the modern-day ride cymbal pattern. This research examines a wide array of drummers and bandleaders, with the objective of identifying the earliest recordings of this important addition to jazz drumming, and popular music history while analyzing the ride cymbal pattern’s evolution through definitive recordings.

Part One Pattern on Non-Drum Surfaces 1917-1924

Part Two Pattern Played with Brushes 1927-1933

Part Three Pattern Played on Hi-Hats 1928-1936 + Bonus Hi-Hat Lesson

Part Four Pattern Played on Small Cymbals 1927-1933

Part Five Zildjian's Influence on the Ride Pattern 

Part Six Pattern Played on Large Cymbals 1928-1940

Part Seven Transition to Bebop and the Influence of Kenny Clarke 

Oh yeah, make sure to check these out too:

The Monday Morning Paradiddle - Summer 2024

Welcome back and here's the Summer 2024 edition of the Monday Morning Paradiddle my more-or-less monthly jazz drumming variety column. 

This will be my last post before I take a break for remainder of the summer months.

But first one last advertisement before I take my leave...

I have a handful of the classic black Four on the Floor t-shirts left in stock. Once they are gone, they are GONE it will very likely be a long time before I have any more printed (if at all...) so don't miss out and get yours today!

These shirts are available in small, medium, large, x-large and xxl sizes and are lightweight premium fitted 100% cotton tees. I am also told that they are very comfortable : )

The shirts are $30 each (+shipping)

If you are interested in purchasing one, please drop me a line at fouronthefloorblog@gmail.com or reach me through social media and I'll set you up asap.

The Monday Morning Paradiddle - Summer 2024

1. Thanks to Will Chernoff who interviewed me for his podcast series Rhythm Changes 

Keep up the great work Will!

2. The Practicing Drummer podcast featuring Colleen Clark

3. Allison Miller interviewed on The Drummer's Pathway podcast

4. Baseball and the Secret to Max Roach's Success by Martin Johnson

5.  Max Roach's mallet feature on Ghost Dance:

 

6. I believe that today July 15th is Philly Joe Jones' birthday. Happy Birthday PJJ!

 

7. Joe Farnsworth plays tribute to Kenny Clarke in Paris:

 

8. 10 Reasons to Love Jeff Tain Watts from the Drum Candy Podcast: 

 

9. Jeff Watts interviewed by John DeChristopher for his series Live From My Drum Room: 

 

10. A burning rendition of Sonny Rollins' Airegin from Mike Clark and Mike LeDonne on B3 Hammond Organ: 

 

11. On The Real Side with Adam Nussbaum:

 

12. A fantastic drum solo from Joe LaBarbera circa. 1977: 

 

13. Quincy Davis with more outstanding offerings from his ongoing Q-Tips series: 

 

Make sure to check out and sign up for one of Quincy's on-line Zoom masterclasses this summer!

14. Fantastic brush playing from the great Lewis Nash on Duke Ellington's Satin Doll:

15. Check out Ted Sirota's awesome new series on the teachings of Alan Dawson:

 

And thanks Ted for sharing this recording of Philly Joe Jones giving a masterclass at Rutgers University circa. 1979

16. When the Masters speak, we listen...

Thank you to bassist Alexander Claffy for sharing this three-part interview with Kenny Washington:

17. Ken Micallef's Top Ten Blue Note Jazz Drumming Vinyls:

18. I just heard this duet of Elvin Jones and Steve Lacy on Thelonious Monk's Evidence for the first time and I think it's awesome:

19. What am I listening to these days?

PJ Perry "Time Flies [tempus fugit]" - Dave Robbins/Joe LaBarbera (drums)

Walt Dickerson & Richard Davis "Tenderness" - Walt Dickerson (vibraphone)

Pasquale Grasso "Bebop!" - Keith Balla (drums)

David Braid Sextet "Zhen" - Terry Clarke (drums)

Barry Harris "At the Jazz Workshop" - Louis Hayes (drums)

Brian Blade "Lifecycles Vol.1 & 2" - Brian Blade (drums)

Sonny Clark "Cool Struttin" - Philly Joe Jones (drums)

20. And this summer's Final Word (as it were) goes to the great Max Roach:

"You can't win today's ballgames with yesterday's home runs..."

- Max Roach

Thanks again for your ongoing support and see you in September. 

Onwards and Upwards!

Living Music: a film about Ra Kalam Bob Moses

My friend Clifford Koufman has been working hard and is filming and producing a documentary on the life of Ra Kalam Bob Moses.

Check out the trailer below and learn more about how you can help bring this important project to life by visiting this link to his Indiegogo campaign:  https://igg.me/at/livingmusic/x#/

About the Film

This is a film about groundbreaking drummer, composer, and artist Ra Kalam Bob Moses—one of the great musicians of all time. Growing up in the heart of the New York music scene, in the company of iconic musicians like Art Blakey, Max Roach, Elvin Jones, and Charles Mingus (whom he was jamming with by the time he was 13), Ra Kalam is among the legends who have shaped modern music.

He has played on historic records, including Pat Metheny’s Bright Size Life, and performed or recorded with fellow luminaries Herbie Hancock, Jaco Pastorius, Gary Burton, Jack DeJohnette, Carla and Paul Bley, Steve Swallow, Rahsaan Roland Kirk, John Scofield, Steve Kuhn, Pharoah Sanders, Todd Rundgren, John Medeski, Bobby McFerrin, and more.

Not content to limit himself to the realm of jazz music, Ra Kalam has created his own style and philosophy of “living music,” transcending from music maker to innovator. He has dedicated much of his life to sharing this philosophy with students and fellow musicians, with a mission to help great musicians of different genres find freedom in their expression.

Ra Kalam has received a Stage 4 cancer diagnosis and we are working hard to help him tell the story of his life and incredible musical journey while we still have him with us.

What have we accomplished so far?

Since last year, we have completed most of the filming for this project. We’ve conducted interviews with Pat Metheny, Gary Burton, Steve Swallow, Jack DeJohnette, Bill Summers, and Peter Erskine, as well as many of Ra Kalam’s other musical colleagues, protegés, and personal connections.

Last September we spent an amazing week in New Orleans filming Ra Kalam recording, playing concerts, and interacting with legendary New Orleans musicians including Bill Summers, Johnny Vidacovich, and Tony Dagradi. He also gave masterclasses, passing some of his wisdom along to a new generation of hopeful musicians.

Since then we've traveled to several locations including Richmond, VA, to record a session with Ra Kalam and his spiritual mentor Tisziji Muñoz, and to Miami to interview the great vibraphonist and bandleader Gary Burton. We’ve also conducted Zoom interviews with many of those whom we couldn’t meet in person.

In this process, we have launched a self-contained production company, which has enabled us to film any time a cool opportunity arises, rather than having to hire crews and rent gear for every shoot. This has given us access to more intimate moments.

We have purchased two Netflix-approved cameras, a powerful computer, several high-capacity hard drives, and other necessary equipment, as well as paying for studio time, musicians, travel expenses, etc. We’ve put a couple hundred collective hours into learning Davinci Resolve, the film editing software that we are using for this project.

The depth and wealth of Ra Kalam’s creativity as a musician, composer, artist, and human are astounding. We have some amazing interview footage with a who’s-who of musicians, all of whom have had glowing things to say about him. And we can’t wait to share his story with you!

What’s left to do?

This summer we’re doing more on-location filming and interviews, including a week and a half in New York to fill in the last major pieces of the puzzle: visiting the areas where Ra Kalam grew up and lived among the pillars of Jazz music, documenting some of his favorite stories, and interviewing his longtime friends and family members.

After that, we begin post-production. At this point we will be focused on editing the hundreds of hours of footage we’ve captured and distilling it down to the most essential clips that will tell this story in the best way possible.

We’ll continue consulting with film industry experts on next steps and best practices, and will be working to dot all the i’s and cross all the t’s as far as funding, rights, distribution, etc.

Our goal is not just to share this story with as many people as possible, but to do it in a personal, compelling way that captures the essence of Ra Kalam in all his colorful facets. Ultimately, we want him to be recognized alongside his peers for all his contributions to music and culture.

About the Filmmaker

This project is being spearheaded by filmmaker Clifford Koufman, who is a Nashville drummer, percussionist, visual artist, and educator. Clifford has interviewed more than 100 artists and creatives in his series ClifChats. He has developed a close relationship with Ra Kalam as a student, mentee, and friend over 18+ years. They have bonded not only over music but also over their common experiences as single fathers raising sons.

It is an understatement to say that Ra Kalam is a prolific artist. Do yourself a favour and take a trip through a living history of jazz, rock, and avant garde music. rakalamrecords.bandcamp.com

Klook 1957

Thanks to Andrew Dickeson for sharing this awesome studio footage of Kenny Clarke from 1957:

 

And also courtesy of Andrew's YouTube page, here's Kenny Clarke's quartet playing "If I were a Bell": 

Jason Marsalis on Odd Meters

Thanks to Jason Marsalis for offering this lesson on playing odd meters and how to explore phrasing patterns with a sense flow, groove and musicality:

Get Your Four on the Floor t-shirt Today!

Hey the classic black Four on the Floor t-shirts are still available however they are going quick!

These shirts are available in small, medium, large, x-large and xxl sizes and are lightweight premium fitted 100% cotton tees.

The shirts are $30 each (+shipping)

If you are interested in purchasing one, please drop me a line ASAP at fouronthefloorblog@gmail.com or reach me through Facebook/Instagram and I'll set you up.

Don't miss out and order today while supplies last!

Al Harewood!

Thanks to Mike Melito for sharing this rare footage of the great Al Harewood in action with Stan Getz circa. 1963:

Al Harewood is an important drummer who is generally overlooked and every drummer should check him out. 

During my studies at McGill University during the mid 90s Stanley Turrentine's album Up at Mintons was required listening, assigned to all the drummers who were studying with teacher Chris McCann at the time.

When I once asked Harold Mabern about Al Harewood he replied: "This cat was into SWINGING!"

Here's a nice piece on Al Harewood from Ethan Iverson's blog Do the Math on the occasion of Harewood's passing in 2014: https://ethaniverson.com/2014/03/14/rip-al-harewood/

As you can see from the selected discography in Iverson's column, Harewood's deep swing was in high demand.

I spoke with Al Harewood at length over the phone once, for several hours, back the late 90s. I had an assignment for Kevin Dean's Performance Practice class at McGill and I was required to interview a living jazz musician. So I called up the musician's union in New York and asked for Harewood's phone number and gave him a call. He was a bit confused as to why some kid from Montreal was interested in his career (!) however he was very generous with his time and patiently answered my questions at length. I recorded the whole thing on cassette but unfortunately 25+ years and several moves later I fear that they may have been lost.

Anyways, if you're serious about SWINGING then check out Al Harewood!

Four on the Floor *Live* featuring David Stanoch

Please join us for our next episode of Four on the Floor *Live* happening next Wednesday, June 19th at 7pm MST (9pm EST), appearing on Instagram IGTV @fouronthfloorblog featuring David Stanoch.

We'll be talking all about drums, cymbals and whatever else happens to be on our mind...

David Stanoch has drummed professionally since age 12. A student of masters Elliot Fine, Alan Dawson, Max Roach, Jeff Hamilton, Chad Wackerman, Ignacio Berroa, and others, he has built an eclectic musical reputation performing with artists from the worlds of jazz, rock, R&B, Broadway, motion picture and television including the Airmen of Note, Jackson Browne, Hiram Bullock, Charo, George Clinton, Sheryl Crow, Richard Davis, Herb Ellis, Robert Goulet, Colonel Bruce Hampton, Scott Henderson, Freedy Johnston, Shirley Jones, Stanley Jordan, Shari Lewis, Jack McDuff, the Minnesota Orchestra, Keb’ Mo, New Kids On The Block, Bob Newhart, Christine Ohlman, Regis Philbin, Bernard Purdie, Bonnie Raitt, Walfredo de Los Reyes, Don Rickles, Joan Rivers, Danny Seraphine, Doc Severinsen, Ed Shaughnessy, Martin Short, Ben Sidran, Jab’o Starks, Clyde Stubblefield, Timbuk 3, Butch Vig, Fred Wesley, and The Supremes’ Mary Wilson. He is currently musical director for Emmy-winner, Shaun Johnson’s Big Band Experience.

David served on the faculty of McNally Smith College of Music for 27 years and has guest-taught at the Berklee College of Music. He regularly gives clinics and masterclasses around North America including NAMM, PASIC and KoSA events. David is an advisor to the Percussive Arts Society Drumset Committee, and Drumset Editor for the PAS Percussive Notes magazine. David is member of the Modern Drummer, Remo, and Vic Firth Educational Teams and was presented the Legacy in Education Award by the YAMAHA Corporation of America in 2018. In 2020, he was one of four renowned drummers selected by the NAMM Foundation’s Percussion Marketing Council to participate in their 25th Anniversary Lesson With a Master Contest.

David has authored Mastering the Tables of Time (“#1 Edu Book,” Modern Drummer 2009 Readers Poll), co-authored The 2 in 1 Drummer (2014 Modern Drummer & DRUM! Magazine Edu Book Nominee), both available in print from Alfred Music Publishing. Mastering the Tables of Time is also available digitally from Hudson Music and was recently named one of their 10 best selling titles of 2020. David was also “Drumming History and Analysis Consultant” for Jim Berkenstadt’s book, The Beatle Who Vanished~The Unsolved Mystery of Jimmie Nicol, currently being made into a major motion picture. 

David proudly endorses the premier percussion products made by Yamaha, Paiste, Remo, Vic Firth, Latin Percussion and Prologix.

www.davidstanochschoolofdrumming.com

Fast Tempos!

I've had several insightful conversations lately with Peter Retzlaff and Jacob Wutzke about the art of playing breakneck fast tempos. 

It's a specific thing that's not quite in vogue as it used to be back in the day but still worth considering imo. However, it also requires a specific approach to technique, a concept and a vocabulary that's distinct from playing slower tempos. It's not just a matter of mastering your medium tempo coordination, vocabulary and ideas and then speeding them up! It's also the kind of thing that you need to practice, make a study of and, most importantly, play with other people on a regular basis. That's how Max, Art, Tony, etc. all did it.

Anyways, here's a few videos that I've found to be very helpful in developing an approach to playing fast tempos on the drums:

John Riley

Rick Dior

Ralph Peterson

Ari Hoenig

Joe Farnsworth

Quincy Davis

Ulysses Owens Jr.

Kenny Washington

Carl Allen and Christian McBride

I'm always curious about how other drummers approach playing these tempos.

What are your favourite go-to recordings for ideas and inspiration?

What are the things you like to practice to get your fast tempos together?

Send me your favourite recordings to listen to and I'll share them here!