I hope you all had wonderful Summer holiday and now that September is upon us it's time to get back to work and back on saddle over here at Four on the Floor.
Today's blog post features some wonderful work from Dr. Colleen Clark and the Avedis Zildjian Company featuring Clarke's research of the evolution of the ride cymbal pattern.
There is a ton of great and well researched information here and I encourage you all to check this out:
In this lesson series, Zildjian artist Colleen Clark provides a historiographical and musical analysis examining the jazz ride cymbal pattern, from its inception on woodblock, small accessory cymbals, hand cymbal mechanisms and brushes through what becomes known as the modern-day ride cymbal pattern. This research examines a wide array of drummers and bandleaders, with the objective of identifying the earliest recordings of this important addition to jazz drumming, and popular music history while analyzing the ride cymbal pattern’s evolution through definitive recordings.
Welcome back and here's the Summer 2024 edition of the Monday Morning Paradiddle my more-or-less monthly jazz drumming variety column.
This will be my last post before I take a break for remainder of the summer months.
But first one last advertisement before I take my leave...
I have a handful of the classic black Four on the Floor t-shirts left in stock. Once they are gone, they are GONE it will very likely be a long time before I have any more printed (if at all...) so don't miss out and get yours today!
These shirts are available in small, medium, large, x-large and xxl sizes and are lightweight premium fitted 100% cotton tees. I am also told that they are very comfortable : )
The shirts are $30 each (+shipping)
If you are interested in purchasing one, please drop me a line at fouronthefloorblog@gmail.com or reach me through social media and I'll set you up asap.
The Monday Morning Paradiddle - Summer 2024
1. Thanks to Will Chernoff who interviewed me for his podcast series Rhythm Changes
Keep up the great work Will!
2. The Practicing Drummer podcast featuring Colleen Clark
My friend Clifford Koufman has been working hard and is filming and producing a documentary on the life of Ra Kalam Bob Moses.
Check out the trailer below and learn more about how you can help bring this important project to life by visiting this link to his Indiegogo campaign: https://igg.me/at/livingmusic/x#/
About the Film
This is a film about groundbreaking drummer, composer, and artist Ra Kalam Bob Moses—one of the great musicians of all time. Growing up in the heart of the New York music scene, in the company of iconic musicians like Art Blakey, Max Roach, Elvin Jones, and Charles Mingus (whom he was jamming with by the time he was 13), Ra Kalam is among the legends who have shaped modern music.
He has played on historic records, including Pat Metheny’s Bright Size Life, and performed or recorded with fellow luminaries Herbie Hancock, Jaco Pastorius, Gary Burton, Jack DeJohnette, Carla and Paul Bley, Steve Swallow, Rahsaan Roland Kirk, John Scofield, Steve Kuhn, Pharoah Sanders, Todd Rundgren, John Medeski, Bobby McFerrin, and more.
Not content to limit himself to the realm of jazz music, Ra Kalam has created his own style and philosophy of “living music,” transcending from music maker to innovator. He has dedicated much of his life to sharing this philosophy with students and fellow musicians, with a mission to help great musicians of different genres find freedom in their expression.
Ra Kalam has received a Stage 4 cancer diagnosis and we are working hard to help him tell the story of his life and incredible musical journey while we still have him with us.
What have we accomplished so far?
Since last year, we have completed most of the filming for this project. We’ve conducted interviews with Pat Metheny, Gary Burton, Steve Swallow, Jack DeJohnette, Bill Summers, and Peter Erskine, as well as many of Ra Kalam’s other musical colleagues, protegés, and personal connections.
Last September we spent an amazing week in New Orleans filming Ra Kalam recording, playing concerts, and interacting with legendary New Orleans musicians including Bill Summers, Johnny Vidacovich, and Tony Dagradi. He also gave masterclasses, passing some of his wisdom along to a new generation of hopeful musicians.
Since then we've traveled to several locations including Richmond, VA, to record a session with Ra Kalam and his spiritual mentor Tisziji Muñoz, and to Miami to interview the great vibraphonist and bandleader Gary Burton. We’ve also conducted Zoom interviews with many of those whom we couldn’t meet in person.
In this process, we have launched a self-contained production company, which has enabled us to film any time a cool opportunity arises, rather than having to hire crews and rent gear for every shoot. This has given us access to more intimate moments.
We have purchased two Netflix-approved cameras, a powerful computer, several high-capacity hard drives, and other necessary equipment, as well as paying for studio time, musicians, travel expenses, etc. We’ve put a couple hundred collective hours into learning Davinci Resolve, the film editing software that we are using for this project.
The depth and wealth of Ra Kalam’s creativity as a musician, composer, artist, and human are astounding. We have some amazing interview footage with a who’s-who of musicians, all of whom have had glowing things to say about him. And we can’t wait to share his story with you!
What’s left to do?
This summer we’re doing more on-location filming and interviews, including a week and a half in New York to fill in the last major pieces of the puzzle: visiting the areas where Ra Kalam grew up and lived among the pillars of Jazz music, documenting some of his favorite stories, and interviewing his longtime friends and family members.
After that, we begin post-production. At this point we will be focused on editing the hundreds of hours of footage we’ve captured and distilling it down to the most essential clips that will tell this story in the best way possible.
We’ll continue consulting with film industry experts on next steps and best practices, and will be working to dot all the i’s and cross all the t’s as far as funding, rights, distribution, etc.
Our goal is not just to share this story with as many people as possible, but to do it in a personal, compelling way that captures the essence of Ra Kalam in all his colorful facets. Ultimately, we want him to be recognized alongside his peers for all his contributions to music and culture.
About the Filmmaker
This project is being spearheaded by filmmaker Clifford Koufman, who is a Nashville drummer, percussionist, visual artist, and educator. Clifford has interviewed more than 100 artists and creatives in his series ClifChats. He has developed a close relationship with Ra Kalam as a student, mentee, and friend over 18+ years. They have bonded not only over music but also over their common experiences as single fathers raising sons.
It is an understatement to say that Ra Kalam is a prolific artist. Do yourself a favour and take a trip through a living history of jazz, rock, and avant garde music. rakalamrecords.bandcamp.com
Hey the classic black Four on the Floor t-shirts are still available however they are going quick!
These shirts are available in small, medium, large, x-large and xxl sizes and are lightweight premium fitted 100% cotton tees.
The shirts are $30 each (+shipping)
If you are interested in purchasing one, please drop me a line ASAP at fouronthefloorblog@gmail.com or reach me through Facebook/Instagram and I'll set you up.
Don't miss out and order today while supplies last!
Thanks to Mike Melito for sharing this rare footage of the great Al Harewood in action with Stan Getz circa. 1963:
Al Harewood is an important drummer who is generally overlooked and every drummer should check him out.
During my studies at McGill University during the mid 90s Stanley Turrentine's album Up at Mintons was required listening, assigned to all the drummers who were studying with teacher Chris McCann at the time.
When I once asked Harold Mabern about Al Harewood he replied: "This cat was into SWINGING!"
As you can see from the selected discography in Iverson's column, Harewood's deep swing was in high demand.
I spoke with Al Harewood at length over the phone once, for several hours, back the late 90s. I had an assignment for Kevin Dean's Performance Practice class at McGill and I was required to interview a living jazz musician. So I called up the musician's union in New York and asked for Harewood's phone number and gave him a call. He was a bit confused as to why some kid from Montreal was interested in his career (!) however he was very generous with his time and patiently answered my questions at length. I recorded the whole thing on cassette but unfortunately 25+ years and several moves later I fear that they may have been lost.
Anyways, if you're serious about SWINGING then check out Al Harewood!
Please join us for our next episode of Four on the Floor *Live* happening next Wednesday, June 19th at 7pm MST (9pm EST), appearing on Instagram IGTV @fouronthfloorblog featuring David Stanoch.
We'll be talking all about drums, cymbals and whatever else happens to be on our mind...
David Stanoch has drummed professionally since age 12. A student of masters Elliot Fine, Alan Dawson, Max Roach, Jeff Hamilton, Chad Wackerman, Ignacio Berroa, and others, he has built an eclectic musical reputation performing with artists from the worlds of jazz, rock, R&B, Broadway, motion picture and television including the Airmen of Note, Jackson Browne, Hiram Bullock, Charo, George Clinton, Sheryl Crow, Richard Davis, Herb Ellis, Robert Goulet, Colonel Bruce Hampton, Scott Henderson, Freedy Johnston, Shirley Jones, Stanley Jordan, Shari Lewis, Jack McDuff, the Minnesota Orchestra, Keb’ Mo, New Kids On The Block, Bob Newhart, Christine Ohlman, Regis Philbin, Bernard Purdie, Bonnie Raitt, Walfredo de Los Reyes, Don Rickles, Joan Rivers, Danny Seraphine, Doc Severinsen, Ed Shaughnessy, Martin Short, Ben Sidran, Jab’o Starks, Clyde Stubblefield, Timbuk 3, Butch Vig, Fred Wesley, and The Supremes’ Mary Wilson. He is currently musical director for Emmy-winner, Shaun Johnson’s Big Band Experience.
David served on the faculty of McNally Smith College of Music for 27 years and has guest-taught at the Berklee College of Music. He regularly gives clinics and masterclasses around North America including NAMM, PASIC and KoSA events. David is an advisor to the Percussive Arts Society Drumset Committee, and Drumset Editor for the PAS Percussive Notes magazine. David is member of the Modern Drummer, Remo, and Vic Firth Educational Teams and was presented the Legacy in Education Award by the YAMAHA Corporation of America in 2018. In 2020, he was one of four renowned drummers selected by the NAMM Foundation’s Percussion Marketing Council to participate in their 25th Anniversary Lesson With a Master Contest.
David has authored Mastering the Tables of Time (“#1 Edu Book,” Modern Drummer 2009 Readers Poll), co-authored The 2 in 1 Drummer (2014 Modern Drummer & DRUM! Magazine Edu Book Nominee), both available in print from Alfred Music Publishing. Mastering the Tables of Time is also available digitally from Hudson Music and was recently named one of their 10 best selling titles of 2020. David was also “Drumming History and Analysis Consultant” for Jim Berkenstadt’s book, The Beatle Who Vanished~The Unsolved Mystery of Jimmie Nicol, currently being made into a major motion picture.
David proudly endorses the premier percussion products made by Yamaha, Paiste, Remo, Vic Firth, Latin Percussion and Prologix.
I've had several insightful conversations lately with Peter Retzlaff and Jacob Wutzke about the art of playing breakneck fast tempos.
It's a specific thing that's not quite in vogue as it used to be back in the day but still worth considering imo. However, it also requires a specific approach to technique, a concept and a vocabulary that's distinct from playing slower tempos. It's not just a matter of mastering your medium tempo coordination, vocabulary and ideas and then speeding them up! It's also the kind of thing that you need to practice, make a study of and, most importantly, play with other people on a regular basis. That's how Max, Art, Tony, etc. all did it.
Anyways, here's a few videos that I've found to be very helpful in developing an approach to playing fast tempos on the drums:
John Riley
Rick Dior
Ralph Peterson
Ari Hoenig
Joe Farnsworth
Quincy Davis
Ulysses Owens Jr.
Kenny Washington
Carl Allen and Christian McBride
I'm always curious about how other drummers approach playing these tempos.
What are your favourite go-to recordings for ideas and inspiration?
What are the things you like to practice to get your fast tempos together?
Send me your favourite recordings to listen to and I'll share them here!
Please join us for our next episode of Four on the Floor *Live* happening next Wednesday, June 12th at 7pm MST (9pm EST), appearing on Instagram IGTV @fouronthfloorblog featuring Sherrie Maricle.
We'll be talking all about drums, cymbals and whatever else happens to be on our mind...
From the drum set Sherrie leads The DIVA Jazz Orchestra, her quintet FIVE PLAY and co-leads the 3D Jazz Trio. She is also a busy freelance performer, a published composer/arranger and a dedicated educator, clinician, guest conductor and soloist.
With her bands Sherrie has performed at many of the world’s most acclaimed music venues and festivals, from Lincoln Center to the Kennedy Center and the Hollywood Bowl, to Jazz Festivals in Germany, Switzerland, France, Portugal, Ireland, England, Croatia, Japan, Vietnam, and Israel and beyond. Additionally, Sherrie and DIVA were featured at the 2017 NEA Jazz Master’s Awards Ceremony, the soundtrack for the NBC-Macy’s Fireworks Spectacular; on CBS Sunday Morning with Charles Osgood, on TCM’s televised broadcast of the 25th Anniversary of the Kennedy Center and NHK Japan’s New York Jazz. The band also co-stars in the award-winning documentary film The Girls in the Band.
Sherrie has received several awards and honors which include the 2022 Ronald McDonald House – New York’s Music for Hope award; 2016 Audelco Award for “Best Musical” – Tappin’ Thru Life; 2014 Ovation award for “Best Music Direction” in Tappin Thru Life; the 2009 Mary Lou Williams-Kennedy Center Lifetime Achievement Award, a 2013 State Department grant for FIVE PLAY to tour Vietnam, a tour grant from Arts International, The Kennedy Center Alliance Award for Outstanding Achievements in the Arts, a grant from Meet the Composer, a Doctoral Fellowship from New York University, the New York City Music Educator’s Award for Outstanding Contributions to Education and was twice selected New York University “Music Teacher of the Year.”
As an educator, Sherrie runs a private drum set and percussion studio. She is also a clinician for Yamaha Drums, Sabian Cymbals, Aquarian Drumheads and Vic Firth Drumsticks. From coast-tocoast she also serves as a guest conductor, soloist, and adjudicator for collegiate and high school jazz festivals. 15 years ago, Sherrie created, and remains the Music Director for Musical Magic, a hospital outreach program for The Ronald McDonald House – New York. She is currently on the faculty of The University of the Arts in Philadelphia.
Sherrie graduated from Union-Endicott High School in Endicott, N.Y. in 1981. She earned her Bachelor of Arts degree from Binghamton University in 1985, then moved to New York City to attend New York University, where she completed a Master of Arts in Jazz Performance in 1986 and a Doctor of Philosophy in Jazz Performance/Composition in 2000.
Sherrie’s recent recordings include The DIVA Jazz Orchestra Swings Broadway (2022), The 3D Jazz Trio 9 to 5 (2022) and FIVE PLAY “LIVE” at The Firehouse Stage (2019)
Please join us for our next episode of Four on the Floor *Live* happening this Thursday, June 6th at 12pm MST (2pm EST), appearing on Instagram IGTV @fouronthfloorblog featuring Jacob Wutzke.
We'll be talking all about drums, cymbals and whatever else happens to be on our mind...
Jacob Wutzke is a Montréal based drummer, bandleader, author, composer and music educator. Noted for his exceptional technique, creativity and ability to listen and improvise in the moment, he is an in-demand musician as a sideman and as a leader in the jazz and creative music scenes.
A staple of the Canadian music scene, he has performed and recorded with Caity Gyorgy (2x JUNO Award Winner), Ira Coleman, Jocelyn Gould, Bryn Roberts, Pat LaBarbera, Sam Kirmayer and more. He has also self-published several drum method books to develop technique and phrasing that have become essential practice tools for drummers around the world.
A part of the 2019 Graduating Class of Humber College's Bachelor of Music program, as well as the 2022 Graduating Class of McGill University's Jazz Performance Master's Degree, Jacob is well-established in his local music scenes, as well as across Canada and the USA where he has been seen performing coast to coast at premiere venues, clubs and jazz festivals. He is also a committed music educator and author, teaching private lessons to students worldwide and giving workshops, lessons & masterclasses at high schools and universities in his travels. He teaches students of all levels and levels of experience, many of whom have gone on to enrol in music degrees around the world, and lead successful professional careers.
Jacob has released 2 albums as a leader — a full length LP entitled “Show Yourself” (February 2023) as well as a duo album with saxophonist Lucas Dubovik entitled “Take it in Stride” (April 2024).
Jacob proudly endorses Evans Drumheads, ProMark Sticks, Pergamon Cymbals, Protection Racket cases, and Cympad felts.
I always make a point of sharing Quincy Davis' video lessons from his ongoing Q-Tips series on YouTube. The information and content that he shares is important, informed and always presented in a very clear and concise manner. His series is highly recommended, in my opinion.
However, I am making a point of sharing this specific video today in which Quincy deals with different approaches to playing in TWO.
I've made an observation over the past few years that a significant number of drummers don't know how to play in "2". I feel that this a very important groove and concept that every aspiring jazz drummer must consider, study and master.
Quincy lays it all out in his wonderful video. Check it out, get to work and keep swinging.
Please join us for our next episode of Four on the Floor *Live* happening this Wednesday, May 29th at 7pm MST (9pm EST), appearing on Instagram IGTV @fouronthfloorblog featuring Timothy Roberts.
We'll be talking all about the art of making drums and cymbals and whatever else happens to be on our mind...
Timothy is a professional studio and live musician with 50+ album credits and extensive work as an on-call musician. His passion for sound exploration led him to crafting the instruments that he plays.
Our team consists of only a few highly trained and skilled craftsmen who are all musicians. We have a value that every piece we make is crafted with care and attention to detail. We don’t sell anything we wouldn’t (or haven’t) used in musical situations ourselves!
Timothy Roberts Handcrafted Cymbals are made with the highest quality B20 bronze, hand-hammered, and lathed into incredibly expressive and nuanced cymbals for all styles. Whether you have an old cymbal you’d like reworked or you’d like a custom creation, we are dedicated to bringing out the best a cymbal has to offer.
Reverie Drum Co. employs unique drum designs and specs to provide the highest quality sound possible. Our drums are made with thinner shells, minimal hardware, and instrument-grade finishes to enhance the sustain and tone. This allows for smaller sized kits to have incredible beefy and big sounds. These drums are the most inviting and inspirational we’ve played, and we think you’ll agree!
And...we're back. Hope all is well in your part of the world and thanks for checking in.
This is the May 2024 edition of The Monday Morning Paradiddle, a more-or-less monthly collection of various items of interest, for your pleasure and enjoyment.
Hey! It's the 15th anniversary of my blog and the classic black Four on the Floor t-shirts are now back in stock and once again available!
These shirts are available in small, medium, large, x-large and xxl sizes and are lightweight premium fitted 100% cotton tees.
The shirts are $30 each (+shipping)
If you are interested in purchasing one, please drop me a line asap at fouronthefloorblog@gmail.com or reach me through social media and I'll set you up asap.
These are only available in limited quantities and last time these went pretty quickly so don't delay and order today while supplies last!
The Monday Morning Paradiddle - May 2024
1. Another series of great articles from Vinnie Sperrazza's Substack Chronicles including pieces on:
I am going to resume my annual Instagram interview series, at least for a few weeks this Spring. I started doing this back in December 2020 during Covid and have been doing this on and off for four years now.
Please join us for our next episode of Four on the Floor *Live* happening this Thursday, May 23rd at 7pm MST (9pm EST), appearing on Instagram IGTV @fouronthfloorblog featuring the one and only Chad Anderson!
We'll be talking about drums, drumming, drummers, cymbals and whatever else happens to be on our mind...
Thanks to Timothy Roberts of Reverie Drums for sharing these fantastic videos of Geoff Clapp playing and discussing the nuances of Tim's very fine artisan drums and cymbals. Tim is the real deal and doing incredible work these days. Check him, his drums and cymbals out here: www.reveriedrums.com
Clapp is a good friend and he always takes time to answer my texts back and forth. I've learned a lot from him, spending several Zoom sessions with him over the years, taking lessons on aspects of groove. His understanding of New Orleans drumming is deep. He teaches from lived experience and he's a really great educator. If you get a chance, find a way to connect with Dapper and you won't regret it!
Check him out and Timothy Roberts' drums and cymbals here:
Craig VanDerSchaegen also recently interviewed Geoff for his wonderful podcast series and blog The Practicing Drummer so make sure to check this out as well:
Some inspiring drumming this morning to get the week off to a good start with a birds-eye drum view of some ferocious trading from Kendrick Scott and Terence Blanchard:
It's the 15th anniversary of my blog and the classic black Four on the Floor t-shirts are now back in stock and once again available!
These shirts are available in small, medium, large, x-large and xxl sizes and are lightweight premium fitted 100% cotton tees.
The shirts are $30 each (+shipping)
If you are interested in purchasing one, please drop me a line asap at fouronthefloorblog@gmail.com or reach me through Facebook/Twitterland/Instagram and I'll set you up asap.
These are only available in limited quantities and last time these went pretty quickly so don't delay and order today while supplies last!
Lewis Nash is sporting his classic black Four on the Floor t-shirt and so can you!
Well, as they say, "Time flies when you're having fun..."
I was contemplating what to write and share today and then realized that I've reached a bit of a milestone here: April 2024 represents the 15th anniversary of my blog Four on the Floor.
(no...not that Milestone(s) but you should still listen to that album anyways!)
It's hard to believe that I started this project way back in the Spring of 2009. I was still living in Toronto at the time, preparing to write my candidacy exam for my doctoral studies at the University of Toronto and also packing boxes for an upcoming move to Calgary, Alberta where I still live and work today.
I was inspired by what my friend Chad Anderson had done with his iconic web forum Cymbalholics and was also really digging the regular blog offerings by other on-line jazz citizens such as Darcy James Argue, Ethan Iverson, Ronan Guilfoyle and Peter Hum. Recognizing that I needed some kind of regular web presence to get my name out there (keep in mind that I didn't have a proper website at the time and Facebook, Instagram, Twitter, social media, etc. were still non-existent and non entities in my day-to-day life...ah the good old days!) I spontaneously created a blogger account one April morning as I was drinking my espresso and contemplating ways that I could put off reading some chapters for my upcoming exam...and Four on the Floor was born!
Anyways, a lot as happened career-wise since my first blog post and I had no idea at the time that what I would share and happen to find interesting in the wide world of jazz drumming would be so well received around the world. When I share something it's because I dig it and I hope you will too!
I would like to thank Chad Anderson, John Riley and Adam Nussbaum in particular for their ongoing encouragement to keep this thing going.
Thanks to all of you out there for all your continued support, good vibes and to all of you who regularly read what I have to share.
Sincerely,
Jon McCaslin
btw - okay here's some real jazz drumming content to check out today featuring Art Taylor with Johnny Griffin (or as Joe Farnsworth would say: "RIP!")
"The guys get shirts..."
- Paul Anka
Well you don't have to be a guy and you certainly don't need Paul Anka's permission to celebrate the 15th anniversary of my blog in style by wearing the classic black Four on the Floor t-shirt.
The classic black Four on the Floor t-shirts are now back in stock and once again available for a limited time only!
These shirts are available in small, medium, large x-large and xxl sizes and are lightweight premium fitted 100% cotton tees.
Logo design by Chad Anderson and quality t-shirts printed by Primal Screen (Calgary, AB)
The shirts are $30 each (+shipping)
If you are interested in purchasing one, please drop me a line asap at fouronthefloorblog@gmail.com or you can reach me through Facebook/Twitter/Instagram and I'll set you up right away.
The last few times these went pretty quickly so don't delay and order one today while supplies last!
John Riley and Adam Nussbaum wear their Four on the Floor t-shirts and so can you!
Hey, you've made this far so subscribe to Four on the Floor today!
Please consider entering your e.mail address on the right side of the page to subscribe to my mailing list. Don't miss out, subscribe today and receive Four on the Floor directly to your inbox!
Just click on the link that looks like the icon below, located on the right hand side of the page to subscribe to my mailing list via Mailchimp.
This is a blog about jazz, jazz drumming and all things unrelated. Thanks for stopping by!
A Bit About Me...
Jonathan McCaslin was born in Winnipeg, Manitoba and raised in Regina, Saskatchewan. Jonathan began playing the drums at the age of nine. He progressed through the Regina Lions Junior Band and the music program at his high school, Campbell Collegiate, soon developing a passion for playing the drums and jazz. Ultimately, Jon's interest in music led him to enroll in the Jazz Studies program at McGill University, graduating with distinction in 1999.
While at McGill Jon had the opportunity to study with some of the finest jazz educators in the country including Gordon Foote, Kevin Dean, Jan Jarcyzk, Chris McCann, Andre White, Michel Lambert and Dave Laing. He also attended the prestigious summer jazz workshop presented by the Banff Centre for the Arts in 1997, where he performed with Canadian jazz greats Hugh Fraser, Don Thompson and Kenny Wheeler.
Jon has also been fortunate to have performed with many of Canada's jazz elite including Charlie Biddle, Brian Hurley, Louise Rose, Alaister Kay, Mart Kinny, Gary Guthman, Mike Rud, Hadley Caliman, Greg Clayton, Chase Sanborn, Andre White, Tilden Webb, John LaBelle, Kevin Dean, Dave Turner, Ralph Bowen, Don Thompson, Dionne Taylor, Jim Vivian, Kelly Jefferson, Ian McDougall, Brad Turner, Jim Brenan, The McGill Jazz Orchestra, Jeff Johnston, Lorraine Desmerais, Steve Amirault, Hugh Fraser, Chucho Valdes, Kieran Overs, The Altsys Jazz Orchestra, Pat LaBarbera, The Regina Symphony Orchestra and The Montreal Jazz Big Band.
In the spring of 2002 McCaslin completed his Master's in Jazz Studies at McGill University where he studied jazz drumming, improvisation and composition.
In January 2003 Jon released his debut CD, “McCallum’s Island”. Featuring his quintet, the CD contains an exciting collection of McCaslin’s original compositions, featuring himself and his band. The release of this CD was followed by a twenty-day tour of Western Canada, performing to enthusiastic, capacity audiences. During March of 2003 Jonathan was the recipient of a fellowship from the Kennedy Center for the Performing Arts and attended the “Betty Carter Jazz Ahead” residency in Washington, D.C. Along with twenty other distinguished young jazz artists, McCaslin was featured with such jazz icons as Terence Blanchard, Carmen Lundy, Winard Harper, Curtis Fuller and John Clayton.
McCaslin’s quintet performed at the 2003 edition of the Montreal International Jazz Festival and was nominated for the General Motors Grand Prix du Festival (awarded to the most outstanding Canadian group). From 2004 until 2006, Jon toured North America, Asia and Europe with the high-energy, critically acclaimed music production troupe “Barrage”. Featuring a cast of seven world-class fiddlers and a four-piece band, this dynamic show featured high-energy music and fiddle traditions from around the world set to upbeat choreography and movement.
In 2015, Dr. McCaslin received his Doctorate through the University of Toronto and completed his dissertation on the conceptualization of contemporary melodic jazz drumming. He is currently based in Calgary, Alberta where he maintains a busy performing and teaching schedule across Canada.
