WELCOME TO FOUR ON THE FOUR: A BLOG ABOUT JAZZ DRUMMING AND ALL THINGS UNRELATED, BROUGHT TO YOU BY JON McCASLIN

Thursday, April 28, 2016

Francisco Mela Speaks

















Mela is a drummer I've greatly admired, in particular his work with Joe Lovano, Kenny Barron, Melissa Aldana, his own projects and, most recently, with saxophonist Gary Bartz.

Here's a few interview clips with Francisco via Jazz Times:













Monday, April 25, 2016

Mr. Higgins

I posted a link to the URL containing this concert in its entirety a few weeks back….but here's a nice excerpt via the youtube.com featuring the ever soulful and swinging Mr. Billy Higgins at work:

Monday, April 18, 2016

Time Warp

Some "vintage" Canadian Jazz today via Toronto's Barry Elmes:



This band was quite influential to me during my first introduction to Jazz music around the early 90s. Drummer Barry Elmes and his group Time Warp (co-led with bassist Al Henderson) was one of the first examples of Canadian Jazz that I was first exposed to during my initial foray into the world of Jazz music. The Regina Public Library, my first source for recordings in the pre-internet era, was a good place to find not only Jazz records, but Canadian ones too.

During the 1990s Elmes was very active not only leading his own projects but also hitting the road and taking his unique music to different parts of Canada, many of which didn't see much Jazz music. I've always been a fan of Elmes' drumming, in particular his melodic approach to the drums inspired by such drummers as Max Roach and Dannie Richmond. He's also a prolific composer and his work has been quite influential towards my own efforts as well.

And here's a few links of some live, concert footage of Time Warp from the Sounds of Jazz Concert Series, courtesy of the Canadian Jazz Archive over at JAZZ.FM91

http://www.canadianjazzarchive.org/en/concerts/time-warp-1982-12-13.html

http://www.canadianjazzarchive.org/en/concerts/time-warp-1987-11-09.html

http://www.canadianjazzarchive.org/en/concerts/time-warp-2002-12-02.html

Monday, April 11, 2016

John Ramsay

Thanks to Christian DeJongh who shared his lessons with Berklee drum professor John Ramsay via the YouTube.com:









I was first exposed myself to Ramsay's teachings via his fine books "Art Blakey's Jazz Messages" and "The Drummer's Complete Vocabulary (as taught by Alan Dawson)".

In particular, Ramsay's book on Art Blakey was a valuable resource for me when it first came out in the mid-90s. Ramsay's experience as Blakey's road manager and sometimes playing alongside him as his "double" drummer translates well in this text and provides a first-hand look at Blakey's style.
























John was also very helpful to me personally during my doctoral research, providing some valuable insight into the melodic aspects of Alan Dawson's teachings. Aspects of these are also covered in his book, dealing with Dawson's extensive method and teachings. Highly recommended.


Thursday, April 7, 2016

Mark's Blues














This little ditty is a simple and catchy snare drum cadence that I learned and played while marching with the Pride of Lions drumline back during the early 1990s in Regina, Saskatchewan. We would use this 4-bar phrase (or 8-bars if you are thinking in 2/4….and not actually a "blues" incidentally!) as a street beat during parades and as a stock, catch-all drum pattern that fit perfectly when accompanying band pieces for football games, etc. ("Green is Colour" and "On Roughriders" immediately come to mind!)

Lately I've been using this as a quick and easy warm-up, with sort of a funky and quick-and-dirty Wilcoxin vibe to it:






Unless otherwise notated, play this with natural, hand-to-hand stickings.

Btw - does anybody know who "Mark" was or why he had the blues?

Tuesday, April 5, 2016

Bill Charlap Trio

Some outstanding concert footage today of Kenny Washington with the Bill Charlap trio:



Thanks to Zion Afuang who passed along this one via the Facebook awhile back.


Thursday, March 31, 2016

Jorge Rossy on Vibes

















A pleasant surprise today (for me anyways...), here's drummer/pianist Jorge Rossy leading his own group, featuring Al Foster on drums, from the behind vibraphone(!):











I didn't know that Rossy played the vibes but he's such an incredibly talented musician, anything is really possible! I really hope to hear more of Rossy's vibraphone playing in the future.

Monday, March 28, 2016

The Monday Morning Paradiddle
















I hope you all had a wonderful Easter. Here's the latest offerings in Jazz Drumming that the Easter Bunny brought for us yesterday…


- This footage of Billy Higgins with Cedar Walton's band has been making the rounds lately and definitely worth taking the time to check out:

https://tv.nrk.no/serie/jazz-i-munch-museet/FMUS20005075/18-07-1975

Make sure to check out the wealth of other great concerts from this collection as well. Thanks to Adam Nussbaum for passing this one along.


- A nice feature on former Count Basie drummer and long-time drummer with Tony Bennett, the great Harold Jones:

http://scottlaningham.com/2013/03/08/drummer-harold-jones-on-swinging-basie-tony-bennet-and-life/


- Danny D'Imperio offers a feature on the great swing drummers and some priceless stories over at his own podcast "Who Dat?":

http://www.whodatsound.com/wdmusicpro/WDRadio/Show012.htm


- An older Jazz Times article featuring Charles Lloyd and Billy Higgins:

http://jazztimes.com/articles/14734-charles-lloyd-and-billy-higgins-the-seekers


- A nice little introduction to playing the brushes that someone sent me and I thought I would share:

http://www.nyensembleclasses.com/an-introduction-to-brushes/


- A wonderful feature on the legacy of the VillageVanguard Jazz Orchestra from PBS:


http://www.pbs.org/video/2365697966/

The VVJO is celebrating 50 years of Monday nights at the Village Vanguard. They are always top on my list to go hear whenever I happen to be in New York City on a Monday evening.

The band (featuring John Riley on drums) will also be performing in Calgary, AB in a few weeks, this coming April, so I'm looking forward to hearing this great band in my hometown very soon.


- Thanks to John Riley who passed along this very impressive performance of Ruben Bellavia performing a Tony Williams transcription:



This is what you can achieve if you work hard and practice folks!


- Steve Fidyk offers this quick up-tempo brush lesson:




- A per usual, when the Master's speak….we listen. Here's Louis Hayes interviewed by Susan Brender:




- Not the greatest footage but here's Jack DeJohnette on drums with tap master Savion Glover (from Ornette Coleman's funeral):



Apparently these two have been touring lately as a duet. Let's hope some kind of proper recording is in the works. When I inquired with my dance colleagues they quickly described Glover as "The greatest living tap dancer IN THE WORLD today!".

George Colligan speaks to this collaboration over at his blog Jazz Truth:

http://jazztruth.blogspot.ca/2016/03/an-evening-with-jack-dejohnette-and.html


- Billy Martin and Allen Herman give us a taste of their new project, "Life on Drums (and Beyond)":



I'm looking forward to this follow-up to Martin's previous venture, "Life on Drums".


- A brief peek at Joshua Redman's latest project "Still Dreaming" with Brian Blade on drums:




- What am I listening to these days?

Ralph Moore "Rejuvenate!" - Marvin Smitty Smith (drums)

Conrad Herwig "Reflections" - Jeff Tain Watts (drums)

Claude Williamson Trio "Round Midnight" - Mel Lewis (drums)

Alan Jones Sextet "Storyline" - Alan Jones (drums)

Kenny Burrell "A Night at the Vanguard" - Roy Haynes (drums)

Red Garland "Swingin' on the Corner: Live at the Keystone Corner" - Philly Joe Jones (drums)


- And today's Last Word goes to the late Dennis Irwin:















Thank you to Adam Nussbaum for passing along this gem.

Thanks again to you all for checking out my blog. See you all again real soon!

Thursday, March 24, 2016

Lighthouse

I posted these on my blog a long time ago but have recently been revisiting this band and amazing music. Today's post goes out to Sean Craig, Jim Brenan and Al McLean - three very bad ass tenor saxophonists who've had a profound influence on my own playing over the years.

Enjoy!



Monday, March 21, 2016

Nussbaum



I really enjoyed this very musical drums and keyboard duet featuring long-time colleagues Adam Nussbaum and Richie Beirach:



Adam is a long-time reader of this blog and I consider him to be a friend and mentor too. The man is all about the music!

Here's some more of his wisdom:



And while we're at it, here's one of my favourite trios featuring Nussbaum with Dave Liebman and Steve Swallow:

Monday, March 14, 2016

Rick Considine on Brushes

I'm off to Brandon, MB to adjudicate at the Brandon Jazz Festival for most of this week, so here's some great brush lessons from Rick Considine to check out in the meantime. Lots of great information here:



Saturday, March 12, 2016

Tuesday, March 8, 2016

Wayne Shorter & Herbie Hancock Pen an Open Letter to the Next Generation of Artists





As always, when the Masters speak.we listen:
"To the Next Generation of Artists,
We find ourselves in turbulent and unpredictable times.
From the horror at the Bataclan, to the upheaval in Syria and the senseless bloodshed in San Bernardino, we live in a time of great confusion and pain. As an artist, creator and dreamer of this world, we ask you not to be discouraged by what you see but to use your own lives, and by extension your art, as vehicles for the construction of peace.
While it’s true that the issues facing the world are complex, the answer to peace is simple; it begins with you. You don’t have to be living in a third world country or working for an NGO to make a difference. Each of us has a unique mission. We are all pieces in a giant, fluid puzzle, where the smallest of actions by one puzzle piece profoundly affects each of the others. You matter, your actions matter, your art matters.
We’d like to be clear that while this letter is written with an artistic audience in mind, these thoughts transcend professional boundaries and apply to all people, regardless of profession.
FIRST, AWAKEN TO YOUR HUMANITY
We are not alone. We do not exist alone and we cannot create alone. What this world needs is a humanistic awakening of the desire to raise one’s life condition to a place where our actions are rooted in altruism and compassion. You cannot hide behind a profession or instrument; you have to be human. Focus your energy on becoming the best human you can be. Focus on developing empathy and compassion. Through the process you’ll tap into a wealth of inspiration rooted in the complexity and curiosity of what it means to simply exist on this planet. Music is but a drop in the ocean of life.
EMBRACE AND CONQUER THE ROAD LESS TRAVELED
The world needs new pathways. Don’t allow yourself to be hijacked by common rhetoric, or false beliefs and illusions about how life should be lived. It’s up to you to be the pioneers. Whether through the exploration of new sounds, rhythms, and harmonies or unexpected collaborations, processes and experiences, we encourage you to dispel repetition in all of its negative forms and consequences. Strive to create new actions both musically and with the pathway of your life. Never conform.
WELCOME THE UNKNOWN
The unknown necessitates a moment-to-moment improvisation or creative process that is unparalleled in potential and fulfillment. There is no dress rehearsal for life because life, itself, is the real rehearsal. Every relationship, obstacle, interaction, etc. is a rehearsal for the next adventure in life. Everything is connected. Everything builds. Nothing is ever wasted. This type of thinking requires courage. Be courageous and do not lose your sense of exhilaration and reverence for this wonderful world around you.
UNDERSTAND THE TRUE NATURE OF OBSTACLES
We have this idea of failure, but it’s not real; it’s an illusion. There is no such thing as failure. What you perceive as failure is really a new opportunity, a new hand of cards, or a new canvas to create upon. In life there are unlimited opportunities. The words, “success” and “failure”, themselves, are nothing more than labels. Every moment is an opportunity. You, as a human being, have no limits; therefore infinite possibilities exist in any circumstance.
DON’T BE AFRAID TO INTERACT WITH THOSE WHO ARE DIFFERENT FROM YOU
The world needs more one-on-one interaction among people of diverse origins with a greater emphasis on art, culture and education. Our differences are what we have in common. We can work to create an open and continuous plane where all types of people can exchange ideas, resources, thoughtfulness and kindness. We need to be connecting with one another, learning about one another, and experiencing life with one another. We can never have peace if we cannot understand the pain in each other’s hearts. The more we interact, the more we will come to realize that our humanity transcends all differences.
STRIVE TO CREATE AGENDA-FREE DIALOGUE
Art in any form is a medium for dialogue, which is a powerful tool. It is time for the music world to produce sound stories that ignite dialogue about the mystery of us. When we say the mystery of us, we’re talking about reflecting and challenging the fears, which prevent us from discovering our unlimited access to the courage inherent in us all. Yes, you are enough. Yes, you matter. Yes, you should keep going.
BE WARY OF EGO
Arrogance can develop within artists, either from artists who believe that their status makes them more important, or those whose association with a creative field entitles them to some sort of superiority. Beware of ego; creativity cannot flow when only the ego is served.
WORK TOWARDS A BUSINESS WITHOUT BORDERS
The medical field has an organization called Doctors Without Borders. This lofty effort can serve as a model for transcending the limitations and strategies of old business formulas which are designed to perpetuate old systems in the guise of new ones. We’re speaking directly to a system that’s in place, a system that conditions consumers to purchase only the products that are dictated to be deemed marketable, a system where money is only the means to an end. The music business is a fraction of the business of life. Living with creative integrity can bring forth benefits never imagined.
APPRECIATE THE GENERATION THAT WALKED BEFORE YOU
Your elders can help you. They are a source of wealth in the form of wisdom. They have weathered storms and endured the same heartbreaks; let their struggles be the light that shines the way in the darkness. Don’t waste time repeating their mistakes. Instead, take what they’ve done and catapult you towards building a progressively better world for the progeny to come.
LASTLY, WE HOPE THAT YOU LIVE IN A STATE OF CONSTANT WONDER
As we accumulate years, parts of our imagination tend to dull. Whether from sadness, prolonged struggle, or social conditioning, somewhere along the way people forget how to tap into the inherent magic that exists within our minds. Don’t let that part of your imagination fade away. Look up at the stars and imagine what it would be like to be an astronaut or a pilot. Imagine exploring the pyramids or Machu Picchu. Imagine flying like a bird or crashing through a wall like Superman. Imagine running with dinosaurs or swimming like mer-creatures. All that exists is a product of someone’s imagination; treasure and nurture yours and you’ll always find yourself on the precipice of discovery.
How does any of this lend to the creation of a peaceful society you ask? It begins with a cause. Your causes create the effects that shape your future and the future of all those around you. Be the leaders in the movie of your life. You are the director, producer, and actor. Be bold and tirelessly compassionate as you dance through the voyage that is this lifetime." - Herbie Hancock & Wayne Shorter via http://nesthq.com/wayne-shorter-herbie-hancock-open-letter/

Monday, March 7, 2016

Trilok Gurtu 2.0

Due to the overwhelming response of my last post featuring Trilok Gurtu, here's a few more that caught my eye (and ears…)

- Trilok Gurtu playing a collection of djembe drums from a workshop:




- Concert footage of Gurtu with keyboardist Joe Zawinul circa. 1994:




- And Trilok featured with a trio of percussionists including Brazilian rhythm Master Airto Moreira and Lisbeth Diers:




Thursday, March 3, 2016

Trilok Gurtu Thursday

Trilok Gurtu is a very unique percussionist/drummer who's approach almost defies category. I've always been impressed with his creativity, musicality and deep sense of groove. His blending of traditional Indian rhythms and a host of other rhythmic influences and sounds creates an approach wholly his own.

Here's a solo piece from his performance at the Saptak Music Festival in 2013:



Monday, February 29, 2016

The Monday Morning Paradiddle















Welcome back. Hope all is well in your respective parts of the Jazz drumming realm. Thanks to our hardworking Four on the Floor correspondents, working day and night to bring you only the very best that the wide world of Jazz drumming has to offer, here's some recent finds to check out:


- Drummer/drum set historian Daniel Glass has recently started a series of very informative podcasts to check out over at iTunes and his website:

http://danielglass.com/podcasts/


- Here's a piece via the Smithsonian on the legacy of the Zildjian cymbal company:

http://www.smithsonianmag.com/videos/category/arts-culture/how-zildjian-cymbals-made-it-from-the-ottoma/?no-ist


- Via Jazz Times magazine, here's Stanton Moore on his favourite brush recordings:

http://jazztimes.com/articles/147780-artist-s-choice-stanton-moore-on-great-brush-performances


- New York drummer Charles Ruggiero has recently published his father Vinnie's handwritten Jazz drumming method book and it is excellent. Find it here and buy your copy today:

http://www.vinniesbook.com/vinnie.html

More on this one very soon…


- A nice feature on Victor Lewis via allaboutjazz.com:

http://www.allaboutjazz.com/victor-lewis-the-drummers-spirit-victor-lewis-by-victor-l-schermer.php


- Dig the drumming of Claude Ranger over at the Canadian Jazz Archive:


http://www.canadianjazzarchive.org/en/concerts/claude-ranger-quintet-1982-02-01.html


- Renee Rosnes interviews Canadian Jazz drumming legend Terry Clarke on CBC's Jazz Portraits, a wonderful radio series featuring many icons of Canadian Jazz music:

http://www.batteryradio.com/Pages/JazzPortraits.html

And also from the Canadian Jazz Archives, here's Terry Clarke with his own trio:

http://www.canadianjazzarchive.org/en/concerts/terry-clarke-trio-2001-01-15.html


- A series of podcast interviews with Jeff Williams, a veteran Jazz drummer who's only recently been on my radar but definitely one who I  look forward to hearing more of:

http://www.londonjazznews.com/2013/06/podcast-interview-with-jeff-williams.html

http://www.londonjazznews.com/2013/06/podcast-interview-with-jeff-williams_25.html

http://www.londonjazznews.com/2013/07/podcast-interview-with-jeff-williams.html


- Two interviews with Mike Clark via Drum Magazine and The Red Bull Academy:

http://daily.redbullmusicacademy.com/2016/02/mike-clark-interview?linkId=21107638

http://www.drummagazine.com/features/post/mike-clark-forever-cool/


- I found this one on Todd Bishop's excellent blog Cruiseship Drummer awhile ago, wishing that some one had told me these things 20 years ago!

https://medium.com/@michael_dangelo/advice-to-a-college-music-student-dfdaf4b53429#.2hqvq4fxc


- A wonderful piece on the importance of listening via my dear friend, bassist Kristin Korb:

http://www.bulletproofmusician.com/to-listen-or-not-to-listen-does-listening-to-a-recording-help-us-learn-faster-and-play-more-accurately/


- The ever eloquent Peter Erskine interviewed over Play Cajon:

http://playcajon.org/2016/02/18/ep-10-peter-erskine/


- From another recent blog/podcast I've only recently discovered, here's Jeff Tain Watts interviewed over at The Trap Set:

http://www.thetrapset.net/jeff-tain-watts-wyntonbranford-marsalis-alice-coltrane-solo/


- An interesting piece on the ever evolving rhythmic language of the Bata drums:

http://www.afropop.org/27508/ancient-text-messages-bata-drums-in-a-changing-world/


- Jazz at Lincoln Center's Alvin Atkinson breaks down his approach to playing the Shuffle:




- An interview with Matt Wilson from Neon Jazz:



And here's an excerpt from Matt's clinic at the JEN Conference Louisville, Kentucky last January:




- A nice drum solo from Johnathan Blake with Chris Potter and Scott Colley:




- Charles Mingus' sextet circa. 1960 performing "I'll Remember April" featuring Bud Powell on piano (with Dannie Richmond on drums):




- What am I listening to these days?

Mel Lewis Sextet "The Lost Art" - Mel Lewis (drums)

The Drummers of Burundi

Alan Jones Sextet "Climbing (Rough)" - Alan Jones (drums)

David Braid "Vivid: The David Braid Sextet Live" - Terry Clarke (drums)

Al Muirhead "Oop"

Dick Oatts "Standard Issue, Vol. 1" -  James Oblon (drums)

Wayne Shorter "The Soothsayer" - Tony Williams (drums)

Jill Townsend Big Band "Legacy: The Music of Ross Taggart" - Dave Robbins (drums)

Phineas Newborn Jr. "A World of Piano" - Louis Hayes (drums)


- And todays's Last Word goes to contemporary dance icon Martha Graham:

“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open...No artist is pleased. There is no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others” - Martha Graham

(thank you to Vancouver's Kelly Proznick for passing this one along)

Thursday, February 25, 2016

The Money Jungle Revisited



Dig this concert length, contemporary re-imagining of Ellington/Mingus/Roach's "Money Jungle" as interpreted by Terri Lyne Carrington:



Carrington isn't a drummer that's ever really been on my radar but this great music soon led me to these finds as well:





And this lesson from the kind people over at Zildjian:








Monday, February 22, 2016

What Do Artists Do All Day?: Evelyn Glennie

From the BBC series "What Do Artists Do All Day?", here's a wonderful feature on percussionist Evelyn Glennie:





Incidentally, the other features in this BBC series, featuring diverse artists from a variety of disciplines, are all very good as well and worth checking out.

And if you are looking for even more inspiration/motivation, the fellow who posted these videos also curates a great youtube.com channel entitled "Art Documentaries" worth exploring:

https://www.youtube.com/user/taran333tula/videos

Thursday, February 18, 2016

Doctoral Studies: Melodic Jazz Drumming



A little over a year ago I successfully defended by doctoral thesis "Melodic Jazz Drumming" at the University of Toronto. This project was the culmination of many years of hard work and I learned a great deal from the experience. I am very fortunate to apply the concepts and ideas I learned every time, it seems, whenever I sit behind a set of drums or work with a student.

My dissertation is now available on-line and if you are interested in taking a look, check it out here:

https://tspace.library.utoronto.ca/bitstream/1807/69408/3/McCaslin_Jonathan_D_201506_DMA_thesis.pdf

Monday, February 15, 2016

Tain Revisited



I originally posted this series of interviews with Jeff "Tain" Watts back in 2010 and they are still up on youtube.com so I recently decided to watch these again and repost for a little motivation and inspiration:







Here's a great JazzTimes article on the legacy and innovations of Watts:

http://jazztimes.com/articles/170486-jeff-tain-watts-how-he-revolutionized-jazz-drumming

And a couple more clips to remind us of what a bad ass he is on the drums!



Thursday, February 11, 2016

Buddy Rich Paris 1970



I guess it's Buddy Rich week over here at Four on the Floor….Thanks to Brad Shigeta who passed along this one that I haven't seen before:



And here's a condensed version featuring just the drum solos:



I think the organ is a nice change of pace for this music and dig the over head camera angles. Class is now in session!

Monday, February 8, 2016

Rich on Brushes

From the 1974 Buddy Rich album "Tuff Dude", here's Rich sticking with his brushes on a trio rendition of "Billie's Bounce" along with Kenny Barron on piano and Anthony Jackson on electric bass:



And here's another example of Rich's fine brush playing with his big band from an appearance at the Montreal Jazz Festival:

Thursday, January 28, 2016

Brad Mehldau "All The Things You Are" 7/4














Today's guest post is brought to us by Toronto pianist and my good friend Gerry Shatford. This is an extensive analysis of Brad Mehldau's 7/4 version of "All The Things You Are" from The Art of the Trio, Volume 4.

Shatford has painstakingly taken the time to transcribe AND learn Mehldau's playing note-for-note (see the videos below) and he was also kind enough to offer (at my request) an extensive rhythmic analysis of this performance.

Thank you Gerry for all your hard work putting this together.



























Monday, January 25, 2016

Vinnie Meets Zakir

Thanks to Chris Worthington who passed along these good ones of Dave Holland's band at the SF Jazz Center featuring Vinnie Colaiuta on drums and Zakir Hussain on tabla:





Thursday, January 21, 2016

Andre White

Montreal's Andre White has long been a huge influence on me for over twenty years now. And not only is he an incredibly swinging Jazz drummer, he plays the piano with an affinity towards Bill Evans and he has an encyclopedic knowledge of Jazz history too. I learned a great deal from Andre during my days studying at McGill and still do, to this very day.

I recently heard Andre play in Gatineau, Quebec last October with Steve Grossman, Fred Henke and Ron Seguin (a sort of reunion band, as it were) and I was quickly reminded of how much influence he's had on my drumming and my being a Jazz musician over the years. Mr. White is all ears, all music and all about playing for the musicians around him.

Here's some recent footage of Andre in action with Toronto saxophonist Kirk MacDonald featuring Harold Mabern on piano.



Burnin' !

And here's a full concert from their recent appearance at New York's Jazz @ Lincoln Center:



And, lastly, here's a track from an unreleased trio album offered to us from Montreal's Mike Rud, a nice little swinging jaunt on "Cherokee":




Monday, January 18, 2016

Dave Black

Thanks to Phil Stewart who posted this one via the Facebook:



Black was one of the great post-WWII swing drummers who, among others, played with the Duke Ellington Orchestra. Apparently, as legend has it, he was also one of the very few drummers that made Buddy Rich nervous. From the footage above, perhaps you can hear why...

Thursday, January 14, 2016

Billy Drummond Clinica de Bateria

From a recent clinic in Buenos Aries, here's Billy Drummond doing what he does best:

Monday, January 11, 2016

Max Roach Interview
















As always, when the Masters speak, we listen:




Check out Roach's 1998 feature with Marian McPartland on NPR's "Piano Jazz":

http://www.npr.org/2008/02/22/19269815/drumming-legend-max-roach-on-piano-jazz



Thursday, January 7, 2016

Farnsworth en Italia

A few nice highlights of Joe Farnsworth's masterclass from a recent workshop in Italy:

Tuesday, December 22, 2015

Billy Martin: Percussion Ensemble & Drum Solo

A nice find today of Billy Martin directing a percussion ensemble and featured in a solo feature:



This will be my last post of 2015. Time for a wee holiday, me thinks. Thanks again for your support, drive safe and see you all in 2016!

Thursday, December 17, 2015

More Hammer...



Thanks to the kind people over at Jazz @ Lincoln Center, here's a few more lessons with Jeff Hamilton:

- Jeff talks about his mentors and formative influences:




- Hammer discusses the importance of learning the rudiments and how to play them around the drum set:

Monday, December 14, 2015

The Monday Morning Paradiddle















This column is a little bit late today but hey, it's Monday morning "somewhere" in the world (!) so here you go...This will likely be my last "Monday Morning Paradiddle" column of 2015 and I've tried to include a backlog of things that have been collecting on my desktop lately. So here's what's happening around the interweb these days in the wide world of Jazz drumming:

- John Hollenbeck, the most recent addition to the Jazz faculty at McGill University, and his large ensemble is featured at CBC Music:

http://music.cbc.ca/#!/blogs/2015/10/Live-webcast-John-Hollenbeck-Large-Ensemble-plays-Montreal

- Antonio Sanchez talks drums, music and movie soundtracks over at the Drummer's Resource Podcast:

http://www.drummersresource.com/antonio-sanchez-interview/

- Matt Wilson is currently on the road with his "Christmas Tree-O" project. Hear what he has to say about his recent happenings:

http://straightnochaserjazz.libsyn.com/podcast-408-a-conversation-with-matt-wilson

- A great recent Jazz Times article on the legacy of contemporary Master drummer Jeff "Tain" Watts:

http://jazztimes.com/articles/170486-jeff-tain-watts-how-he-revolutionized-jazz-drumming

And an older Jazz Times article featuring Max Roach's reflections on the legacy of Tony Williams:

http://jazztimes.com/articles/24823-max-roach-remembers-tony-williams

- More on Max Roach via Scott K. Fish's excellent blog:

https://scottkfish.wordpress.com/2015/10/13/max-roach-a-great-drummer-looks-back-at-influences-1958/

- Jerry Granelli, the drummer on the original Charlie Brown sessions with pianist/composer Vince Guaraldi, reflects on the iconic "Charlie Brown Christmas" sessions:

http://observer.com/2015/12/jerry-granelli-reflects-on-a-charlie-brown-christmas/

- A BBC Radio interview with British Jazz drummer Martin France:

http://bbc.in/1MemNjp

And here's some footage with France demonstrating his drums and cymbals…



- WWOZ's "New Orleans Calling" offers this piece on Johnny Vidacovich:

http://neworleanscalling.wwoz.org/portrait-of-a-drummer/

- Thanks to Adam Nussbaum who passed along this great article from Vanity Fair, a piece from drummer Gregg Field about his days playing with Frank Sinatra:

http://www.vanityfair.com/culture/2015/12/frank-sinatra-final-concert-gregg-field-drummer- Jeff 

- A great story testifying to the generous spirit of the great "Big" Sid Catlett:

https://jazzlives.wordpress.com/2015/11/17/the-generosity-of-a-great-artist/

- From Noel Martin Jr., via the Facebook, here's a great piece on developing your left hand, Traditional Grip from the perspective of Tony Williams:



- "The day Elvin Jones fired up Milwaukee's Lakefront Festival of Art in 1972":

http://kevernacular.com/?p=6713

- Ralph Peterson Jr. laying it down with his brushes!



Get well soon Ralph!


- Johnathan Blake stretches out with Joe Lovano and Chris Potter from their interpretation of John Coltrane's "A Love Supreme":



And here's a great recent interview with Blake from Jazz Times:

http://jazztimes.com/articles/171205-melody-in-mind-drummer-composer-johnathan-blake

- Some up close drumming from Jack DeJohnette from his appearance at the Drum Boogie Festival in Woodstock, New York:



And more DeJohnette with the Jack DeJohnette All-Stars from the Newport Jazz Festival:

http://livejazzlounge.com/2010/2012/12/08/jack-dejohnette-all-stars-newport-jazz-festival-august-2012/


-  An interview with contemporary Jazz drumming icon Brian Blade:




- This is brilliant!




- What am I listening to these days?

Barry Harris "Luminescence" - Lenny McBrowne (drums)

Duke Pearson "Sweet Honey Bee" - Mickey Roker (drums)

Bob Sheppard "Close Your Eyes" - Antonio Sanchez (drums)

The Fensters "Vol. X" - Alan Jones (drums)

Kevin Harris "Bird Interpretations" - Francisco Mela (drums)


- And today's Final Word goes to Toronto's Mark Kelso:

"The Power of Rhythm" by Mark Kelso

"Rhythm is mystical. Rhythm is spiritual. Rhythm is powerful. It has coexisted with mankind since the dawn of time. There are large rhythmic cycles like the change of the seasons, the orbit of the earth around the sun, the swelling of the sea. Smaller rhythmic cycles like the life of a tree, the life of a person, the sun rising and setting and then smaller cycles again like a baby’s rapid heartbeat or an adults slower heartbeat, the barking of a dog or the clapping of hands. Everything has a rhythm to it and it’s what lets us know we are alive.

As Drummers, we are chosen as vessels to keep rhythm important, to make peoples bodies move, to spread joy, fear, create tension, keep time and most importantly, to make music feel good. The power of rhythm is not to be taken lightly by anyone who ventures down its rhythmic path. If you pick up the sticks, you should know there’s a long journey ahead of you. Rhythm is a living thing and it is embedded deep into our DNA. Everyone’s DNA.The knowledge we have today, as sophisticated as we know it to be, comes from a very old place. From the 5000 year old practice of playing a rattle to a newborn baby, to watching an infant react and instinctively dance when they hear rhythm being played, we can see it’s magic. It’s fascinating to watch when we play a rhythm and it affects a persons physicality. Rhythm can do that! That’s when you can see its power in action. That is when you understand why we play the drums. It’s a gift and we give that gift to everyone who joins in the rhythmic cycle and connects on a deep level to what we do. It is our passion. It is our goal. It is our life."

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Thanks again for all your support and I'll be back soon with a few more posts before my annual holiday break. Have a great week.


Wednesday, December 9, 2015

Mark Kelso "Making Metronome Practice More Fun"



Thanks to the kind folks over at Drumeo, here's Toronto/Humber College's Mark Kelso with his very informative session entitled "Making Metronome Practice More Fun":



Mark also has his own full-length DVD in the works, "Musician First, Drummer Second", so be on the look out for that as well. Check it out: http://groovydrums.com/musician-first-drummer-second/

Thursday, December 3, 2015

Art Blakey: Caravan

Thanks to Bill Steiger who passed along this inspiring and action packed clip of Art Blakey & The Jazz Messengers:

Monday, November 30, 2015

Wallace Roney: The Great Jazz Drummers

Trumpeter Wallace Roney shares his thoughts about the great Jazz drummers:

Here's the complete series:

http://snapshotsfoundation.com/index.php/articles/135-wallace-roney-interview

And few excerpts via YouTube.com:



Thursday, November 26, 2015

Billy Martin Solo Drums
















A very musical set of solo drums/percussion offered by Billy Martin:

Tuesday, November 24, 2015

Gigs...

Just some shameless self-promotion for a few exciting upcoming projects I'm very proud to be a part of:




































Monday, November 23, 2015

Rakalam Speaks

Some playing, teaching and words of wisdom today from Rakalam Bob Moses:





Monday, November 16, 2015

The Monday Morning Paradiddle















Thanks for checking in and thank you to all of those who contributed comments to my previous Stick Control posts this month. Your comments and feedback are always welcome. I have several more fun, interesting and practical little applications of George Lawrence Stone's essential text to come soon.

Here's what's on the go for today's MMP:


- A very nice column on Shelly Manne over at Scott Fish's excellent blog:

https://scottkfish.wordpress.com/2015/10/22/shelly-manne-portrait-of-a-jazz-success/

Max Roach also offer's some comments on his influences via this article also found on Scott's blog:

https://scottkfish.wordpress.com/2015/10/13/max-roach-a-great-drummer-looks-back-at-influences-1958/

- An interview with Carl Allen:

https://soundcloud.com/ugeneermontazzenter/carl-allen-interview

- Allison Miller speaks with WBGO:

https://www.wbgo.org/blog/allison-miller-sits-down-with-monifa-brown-on-saturday-afternoon-jazz

- Ari Hoenig interviewed via the Iron Curtain:

http://redcurtain.korrous.com/2015/08/13/ari-hoenig/

- Antonio Sanchez is interviewed over at the ever resourceful Drummer's Resource Podcast:

http://www.drummersresource.com/antonio-sanchez-interview/

- The BBC offers their "Desert Island" Buddy Rich picks:

http://www.bbc.co.uk/programmes/p009mv5q


Here's a few more interesting things to check out (well, I think so anyways!):

- Kenny Clarke with Lucky Thompson:



As far as I'm concerned, studying Klook's cymbal beat and comping is a MUST for any aspiring Jazz drummer. You can't go wrong. Now get to work.


- Some rare footage of Britain's Phil Seaman with Al Cohn & Zoot Sims:




- What's better than one super grooving pocket drummer? Well, that would be TWO super grooving pocket drummers playing together! Here's Steve Jordan Jim Keltner laying it down:




- I loved this demonstration of the Ghanaian drum groove Kpanlogo:




- Quincy Davis is still up to great things with his "Q-Tips" over on his YouTube page:







Lots to learn here so check back often.


- Rob Hart offers some fun Tony Williams hi-hat combinations thanks to the nice people over at VicFirth:




- What am I listening to these days?

Hugh Fraser & Jean Toussaint "Back to Back" - Keith Copeland (drums)

Hugh Fraser "In the Mean Time" - Blaine Wikjord (drums)

David Braid "Set in Stone" - Lorne Nehring (drums)

Sonny Rollins "Sonny Rollins and the Contemporary Leaders" - Shelly Manne (drums)

Duchess "Duchess" - Matt Wilson (drums)

Terry Gibbs "Dream Band, Vol. 5 " - Mel Lewis (drums)

Kristian Braathen "Tempus Fugit" - Kristian Braathen (drums)


- And today's Last Word goes to Daniel Glass who has this sage advice to offer via the Facebook:

"I once heard Bruce Springsteen say that music is the only “business” that has no rules; that those who become successful are the ones who create their own set of rules. What Springsteen's statement means to me is that it's paramount for each of us to follow our heart and our inspiration, regardless of the naysayers or those who confidently assure us that it can't be done."


Alright, that's all I've got for today. Thanks for checking in, stay focused and have a great week!

Monday, November 9, 2015

Tootie on Brushes

















Just a quick, over-the-shoulder, brush demonstration today from Albert "Tootie" Heath:

Thursday, November 5, 2015

Stick Control Around the Drums: Part Deux

Just a quick variation to my previous post which (hopefully) offered a simple way to develop some interesting patterns around the drum set using Stick Control.

In my previous post the patterns incorporated the snare drum, small tom, floor tom and ride cymbal (with the bass drum). Today I was messing around with this exercise and discovered even more practical variations if I actually LEFT OUT some drums.

Let me explain…

To review, here's my previous exercise (check out my other previous post for a more comprehensive explanation):

1) Play each line of Stick Control as eighth-notes with the hi-hat on beats 2&4 (or on all four quarter notes)

2) Divide each bar into TWO equal parts (ie. beats 1 & 2 and 3 & 4) and use the following orchestrations:

Beats 1+ 2+ : R = ride cymbal & bass drum, L = small tom

Beats 3+ 4+ : R = floor tom, L = snare drum

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Okay, so as you practice the first few pages of Stick Control you should come up with some fun things to play (and as I discovered, some very melodic ideas as well).

To come up with a wealth of other variations, leave one hand on one instrument, essentially leaving OUT one instrument. For example:


Beats 1+ 2+ : R = ride cymbal & bass drum, L = snare drum

Beats 3+ 4+ : R = floor tom, L = snare drum

* Or the reverse

Beats 1+ 2+ : R = floor tom, L = snare drum

Beats 3+ 4+ : R = ride cymbal & bass drum, L = snare drum


Try this one, which leaves the snare drum out all together:

Beats 1+ 2+ : R = ride cymbal & bass drum, L = small tom

Beats 3+ 4+ : R = floor tom, L = small tom

* Or the reverse

Beats 1+ 2+ : R = floor tom, L = small tom

Beats 3+ 4+ : R = ride cymbal & bass drum, L = small tom


If I wanted to get really "ride cymbal" centric I might try playing all the R's as ride cymbal + bass drum with the L's orchestrated between the other two or three drums accordingly.

Have fun with it and see how many other combinations you can come up with.



Monday, November 2, 2015

The Morning Gospel: Jamey Haddad

If you've been following my blog you know that I'm generally a big fan of different combinations of drum + other instrument duets.

Fiddler Casey Driessen has an interesting project on the go, exploring the rhythmic and percussive possibilities of the fiddle. In this clip he teams up with the multi-dimensional drummer/percussionist Jamey Haddad, coming up with some pretty interesting sonic results:



And here's a longer one also featuring the two of them:



This all, of course, led me to several other great clips of Haddad demonstrating his super interesting approach to blending drum set and percussion instruments: