WELCOME TO FOUR ON THE FOUR: A BLOG ABOUT JAZZ DRUMMING AND ALL THINGS UNRELATED, BROUGHT TO YOU BY JON McCASLIN

Thursday, September 12, 2024

It's Time! a sonic tribute to Max Roach


 













It's Time!

a sonic tribute to MAX ROACH


featuring Jon McCaslin solo drums
and duets with Chris Tauchner keyboards
with special guest Raul Tabera percussion

Saturday, October 12th, 2024

8pm

Tickets $15

Congress Coffee
215 - 36th Avenue NE
Calgary, AB

www.congresscoffeeyyc.com

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I am really excited to finally present this project next month in my hometown of Calgary, Alberta. This year represents the 100th anniversary of Max Roach's birth and since he's one of my biggest influences and a major reason why I even play the drums, it seemed fitting that I perform something to honour his legacy.

For this upcoming performance in October I'll be playing half of the concert solo and the other joined by the creative force that is Chris Tauchner on keyboards. My good friend, Cuban percussionist and heavyweight rhythmatist Raul Tabera will also join us a for a few numbers.

The solo repertoire I'll be performing will be my interpretation and a mix of Max's iconic solo pieces (including The Drum Waltzes, Conversation and Drums Unlimited, among others) as well as some of my own Max Roach-inspired solo drum pieces that I've been developing and exploring over the last few years.

The concept of performing solo drums is one that has intrigued and challenged me for a number of years. Last year I performed solo for a project with a solo contemporary dancer and this upcoming gig is the next step towards even more of this kind of thing. In addition to Max Roach I've also checked out and been inspired by solo works from the likes of Andrew Cyrille, Milford Graves, Gerry Hemingway, Beaver Harris, Pheeroan Aklaff, Ted Poor, Fransisco Mela, Billy Martin, Antonio Sanchez, Matt Wilson, Mark Guiliana and many more. So there's lots of material to work from and the sky is the limit. I'm hoping to record this music and further perform it in the future as well.

My duets with Chris Tauchner are somewhat inspired by the many iconic duets that Roach performed over the course of his lengthy career with artists such as Cecil Taylor, Abdullah Ibrahim, Randy Weston, Mal Waldron, Archie Shepp, Anthony Braxton, Clark Terry and, of course, Dizzy Gillespie (a personal favourite of mine...)

The repertoire we are going to play will be drawn from different points in Max's career as a composer and from artists that he collaborated with (of which there were many!). We'll also play a few of my originals that definitely feature the drums in the spirit of Max Roach (hopefully he would have dug them...)

Anyways, I'm really looking forward to this gig and hope you can check this out if you find yourself in Calgary in October.

Indeed, it's time!
















Tuesday, September 10, 2024

Billy Drummond Talks Jazz Vinyl

Thanks to Ken Micallef for sharing this wonderful piece featuring Billy Drummond and his favourite jazz vinyl picks: 







As always, when the Masters speak...we listen!

Monday, September 2, 2024

Colleen Clark: Evolution of the Ride Pattern


And...we're back.

I hope you all had wonderful Summer holiday and now that September is upon us it's time to get back to work and back on saddle over here at Four on the Floor.

Today's blog post features some wonderful work from Dr. Colleen Clark and the Avedis Zildjian Company featuring Clarke's research of the evolution of the ride cymbal pattern.

https://ae.zildjian.com/education/the-evolution-of-the-ride-pattern-with-colleen-clark/

There is a ton of great and well researched information here and I encourage you all to check this out:

In this lesson series, Zildjian artist Colleen Clark provides a historiographical and musical analysis examining the jazz ride cymbal pattern, from its inception on woodblock, small accessory cymbals, hand cymbal mechanisms and brushes through what becomes known as the modern-day ride cymbal pattern. This research examines a wide array of drummers and bandleaders, with the objective of identifying the earliest recordings of this important addition to jazz drumming, and popular music history while analyzing the ride cymbal pattern’s evolution through definitive recordings.

Part One Pattern on Non-Drum Surfaces 1917-1924

Part Two Pattern Played with Brushes 1927-1933

Part Three Pattern Played on Hi-Hats 1928-1936 + Bonus Hi-Hat Lesson

Part Four Pattern Played on Small Cymbals 1927-1933

Part Five Zildjian's Influence on the Ride Pattern 

Part Six Pattern Played on Large Cymbals 1928-1940

Part Seven Transition to Bebop and the Influence of Kenny Clarke 


Oh yeah, make sure to check these out too: