Thursday, April 26, 2012
The Sound of Jazz
I first saw a video of this amazing footage in my grade nine band class twenty years ago. My band teacher at the time, Brent Ghiglione, literally sat us down one morning and said: "You have to watch this. This is really important." And he was right! I remember being mesmerized by Jo Jones' fluid and swinging drumming, by the incredible bounce that the entire Count Basie band was able to conjure up when playing together. To get that many people to play and feel time together....that is pure magic folks! And also, while I didn't understand it at the time, I recognized that the interplay between Billie Holiday and Lester Young on "Fine and Mellow" is about as pure as one can get emotionally while playing music...
This is an amazing collection and also features some great drumming from Jimmy Cobb with Miles Davis and also some very rare footage of Vernell Fournier playing some great (and unique!) brushes with the Ahmad Jamal trio (dig the lack of "spread" that he is playing brushes with...how does he get that sound???) The footage of the unsung hero Osie Johnson playing with Thelonious Monk really stands out for me as well (if for nothing else to see Count Basie himself hanging out next to the piano, digging every note - apparently that really pissed Monk off!)
Here's what ol' trustworthy Wikipedia has to say about this important footage:
"The Sound of Jazz" is a 1957 edition of the CBS television series Seven Lively Arts, and was one of the first major programmes featuring jazz to air on American network television. The one-hour program aired on Sunday, December 8, 1957, at 5 p.m. Eastern Time, live from CBS Studio 58, the Town Theater at 851 Ninth Avenue in New York City. The show was hosted by New York Herald-Tribune media critic John Crosby, directed by Jack Smight, and produced by Robert Herridge. Jazz writers Nat Hentoff and Whitney Balliett were the primary music consultants.
The Sound of Jazz brought together 32 leading musicians from the swing era including Count Basie, Lester Young, Ben Webster, Billie Holiday, Jo Jones and Coleman Hawkins; the Chicago style players of the same era, like Henry "Red" Allen, Vic Dickenson, and Pee Wee Russell; and younger 'modernist' musicians such as Gerry Mulligan, Thelonious Monk, and Jimmy Giuffre. These players played separately with their compatriots, but also joined to combine various styles in one group, such as Red Allen's group and the group backing Billie Holiday on "Fine and Mellow".
The show's performance of "Fine and Mellow" reunited Billie Holiday with her estranged long-time friend Lester Young for the final time. Jazz critic Nat Hentoff, who was involved in the show, recalled that during rehearsals, they kept to opposite sides of the room. Young was very weak, and Hentoff told him to skip the big band section of the show and that he could sit while performing in the group with Holiday. During the performance of "Fine and Mellow", Webster played the first solo. "Then", Hentoff remembered:
"Lester got up, and he played the purest blues I have ever heard, and [he and Holiday] were looking at each other, their eyes were sort of interlocked, and she was sort of nodding and half–smiling. It was as if they were both remembering what had been—whatever that was. And in the control room we were all crying. When the show was over, they went their separate ways."
Within two years, both Young and Holiday had died."