And....we're back. I hope that your respective summer month's were productive, restful and now getting into the swing of things now that the fall season is upon us. With students and teachers going back to school in September I always feel inspired to start new projects and work on brilliant new ideas. Onwards and upwards. The learning never stops.
The minions over here at the Four on the Floor offices have been hard at work lately and here's what we've compiled for you with the latest edition of the The Monday Morning Paradiddle. As always, thank you for your support and enjoy!
- Check out Jack DeJohnette's latest cover feature from Modern Drummer magazine:
From earlier this summer, here's John Riley in a masterclass in Italy (with translation!) As always, John's playing is great as is his ability to break down, explain and demonstrate many important concepts.
Thanks to Roberto Gatto who shared this footage of Albert "Tootie" Heath, taken from "Drummer's Row" at the famed Village Vanguard, while performing with his brother, Jimmy Heath. Dig the very clever Calypso beat that Tootie plays on Blue Mitchell's "Funji Mama":
New Orleans drummer Shannon Powell (The "King of Treme") is an important drummer in my own early development. During the early 1990s when I was first developing ears for Jazz music, Powell was the first Jazz drummer that I saw on television. It was on a Harry Connick Jr. New Year's Eve special from London, England that featured Connick's big band with string orchestra and trio featuring Ben Wolf on bass and Powell on drums. I was quite impressed and inspired by Shannon's Powell's drum feature on Connick's up tempo arrangement of Stompin' at the Savoy and for me the rest, as they say, was history...
Thanks to the kind folks over at the University of New Orleans, here's an hour long masterclass with his majesty: